B.A., 2000, Brown University
Ph.D., 2008, University of California, Berkeley
Michael holds his Ph.D. from the Department of Comparative Literature at the University of California, Berkeley, where he worked under the direction of Judith Butler and Karl Britto. Before joining the faculty at the University of Oregon, he was a member of the Society of Fellows in the Humanities at Columbia University (2008-9).
His research focuses on debates in world literature, postcolonial studies, literary theory, as well as film and visual culture, primarily in Africa and the Middle East. In both his research and teaching, he bridges textual analysis with social theory, and draws from methods in anthropology, religion, queer theory and area studies. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton 2016) and of articles in venues such as Comparative Literature Studies, Early Popular Visual Culture, The International Journal of Middle East Studies, and the Journal of Arabic Literature. He is also a guest editor of a special issue of Comparative Literature (“Reading Secularism: Religion, Literature, Aesthetics”), and with Elisabetta Benigni, a forthcoming issue of Philological Encounters (“Lingua Franca: Toward a Philology of the Sea”). He is at work on a second book, Picturing the World: The Global Routes of Early Cinema, 1896-1903, which traces the transnational history of camera operators working for the Lumière Brothers film company.
Michael has been a EUME Fellow at the Forum for Transregional Studies in Berlin (2011-12), a Townsend Fellow at the Townsend Center for the Humanities in Berkeley (2006-7), and a Presidential Intern at the American University in Cairo, where he worked with its Institute of Gender and Women’s Studies (2000-1). For two summers (2011-12), he served as the site director for the CLS Arabic Program in Tangier, Morocco. He is currently a member of the collegium for the research project Zukunftsphilologie in Berlin and of the Turning Points/Figures of Thought network at the Center for Near and Middle Eastern Studies at Phillips University in Marburg.
For downloadable articles: (https://uoregon.academia.edu/MichaelAllan)
In the Shadow of World Literature: Sites of Reading in Colonial Egypt(Princeton 2016)
Reading Secularism: Religion, Literature, Aesthetics. Special Issue ofComparative Literature. Vol. 65, No. 3, Summer 2013.
“Re-Reading the Arab Darwin: The Lewis Affair and Naguib Mahfouz’s Palace of Desire” Modernism/Modernity, Volume 23, Number 2, 2016. 319-340
"Scattered Letters: Translingual Poetics in Assia Djebar's L'Amour, La Fantasia," Philological Encounters, Volume 2, Issue 1. 2015.
"You, The Sacrificial Reader: Poetics and Pronouns in Mahmoud Darwish's 'al-Qurban'" Friederike Pannewick and Georges Khalil (eds.), Commitment and Beyond: Reflections on/of the Political in Arabic Literature since the 1940s, (Wiesbaden: Reichert-Verlag, 2015).
"The Hermeneutics of the Other: Intersubjectivity and the Limits of Narration in Rashid al-Daif's How the German Came to His Senses" in Ken Seigneurie (ed.), What Makes a Man?, (Austin: University of Texas Press, 2015), 214-227.
"Queer Couplings: Formations of Religion and Sexuality in The Yacoubian Building" The International Journal of Middle East Studies, 44:4, 2013. (http://journals.cambridge.org/abstract_S0020743812001614)
"How Adab Became Literary: Formalism, Orientalism and the Institutions of World Literature" Journal of Arabic Literature (43), Issues 2-3, 2012, pp172-96.
“Deserted Histories: The Great Pyramid and Early Film Form” Special Issue of Early Popular Visual Culture, 6:2, 159-170, July 2008.
“ Reading With One Eye, Speaking With One Tongue: The Problem of Address in World Literature” Comparative Literature Studies, Volume 44, no. 1-2, Fall 2007
“The Limits of Secular Criticism: Reflections on Literary Reading in a Colonial Frame” Townsend Center for the Humanities Newsletter, February 2007 http://townsendcenter.berkeley.edu/pubs/feb_07_nl.pdf
“Fanon and the Flesh of Language: Towards a Material Linguistics of Colonial Subjection” Equinoxes , Number 4, Winter 2004
“The Location of Lebanon: Portraits and Places in the Videography of Jayce Salloum” Parachute , Volume 108 Beyrouth_Beirut, Fall 2002, Simultaneously published as “Le Lieu Liban: Portraits et Sites dans L’Art Vidéo de Jayce Salloum” translated by Denis Lessard
On Shifting Ground: Muslim Women in the Global Era, The Journal of North African Studies, 12:2, June 2007
Review of Moneera al-Ghadeer, Desert Voices: Bedouin Women's Poetry inSaudi Arabia The Journal of Arabic Literature (43: 2-3) 2012, pp532-534.
Review of In the Presence of Absence by Mahmoud Darwish, The Poetry Project Newsletter, January 2012, p23.