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Welcome

The home of the premier journal in the field, and the first program on the West Coast to offer the Ph.D. in Comparative Literature, our department provides a point of convergence for the most exciting lines of inquiry within the Humanities and beyond. Our mission is that of giving shape and shelter to a conversation whose participants are drawn not only from the various departments of language and literature (English, Romance, East Asian, Classics, Russian, German and Scandinavian) but also from Philosophy, History, Art History, Cinema Studies, Anthropology, Ethnic Studies, Journalism and Communication, and Music.


2017 Nomad Undergraduate Conference

You are cordially invited to attend the 2017 Undergraduate Nomad Conference. The Nomad Mentorship Program’s “Chaos” year has come to fruition. Since Fall term, undergraduate participants have worked one-on-one with mentors to develop and present their own research. The conference will showcase their work, which will appear in nomad, our journal of undergraduate writing.

Saturday, May 10, 2017, 10 a.m. to 5 p.m.

Gerlinger Alumni Lounge, Main UO Campus

 

“Critical-Theoretical Perspectives on the New Era in American Politics”

Kenneth Calhoon participated in, and helped in the planning of, a symposium on “Critical-Theoretical Perspectives on the New Era in American Politics,” which was held on the Oregon campus February 24th. Calhoon presented on Donald Trump’s predilection for the decorative style of the ancien régime (“No Accounting for Taste”). The symposium was video-recorded and can be viewed here:https://www.youtube.com/playlist?list=PLpzwhfdkm1gh2ZAq66KiYMdWuzztCpLPa

Proceedings from the symposium are forthcoming in a special issue of the e-journal Konturen:

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Article forthcoming

Doctoral Student Baran Germen’s article “Abjectly Melodramatic: The Monstrous Body and the Queer Politics of Are We OK?” is forthcoming in the June issue of Queer Studies in Media & Popular Culture. Baran’s research draws on current developments in “affect theory,” which has a particular relevance for the genre of melodrama given what this theory might characterize as a “mutualization of affect,” in which the spectator—in a kind of contagious resonance—shares emotions with the characters portrayed.